‘The Space Museum was aired in 1965 as part of the second
season of Doctor Who featuring William Hartnell as the cranky by lovable Time
Lord. This episode, which aired as 4 25 minute long parts, centred on the story
of a planet named Xeros which had been taken under the tyrannous rule of a race
known as the Moroks who used the planet as a venue to house a museum which paid
tribute to the battles they had fought and won as the reached out to conquer
the stars.
There is a really sinister back story to the Moroks and
their rule, you learn that they attacked the peaceful Xerons using weapons that
were far superior to those of the planets occupants then, once they had Xeros
secured, they then organised a mass genocide of all Xerons except for the
children. The Children were then drafted into slavery, forced to work to
maintain the museum until such time as they came of age. Once the children were
considered grown up they would be shipped off to other planets in the Morok
empire to undergo other kinds of work, ensuring that there could not be an
uprising on Xeros.
The Doctor and his companions (Vicki, Barbara Wright and Ian
Chesterton) arrive on Xeros and find that nothing seems quite right, their
clothes have changed, their feet leave no footprints in the dust on the earth,
they cannot touch any of the exhibits in the museum nor can they be seen by the
staff and then to top it all off they come across display cabinets which appear
to house exact clones of themselves in some kind of state of preservation. The
Doctor surmises that the Tardis had a bit of trouble on landing and has accidentally
jumped a time track resulting in a few minutes where their timelines became
misaligned. It is upon the Doctor making this discovery that the time track
slips back into place and our heroes find themselves exposed and vulnerable to
capture.
They Doctor and his friends are left wondering if there is a
way they can stop themselves becoming exhibits in this awful museum or if
everything they do and every decision they make will just bring them closer to
that terrifying peak into the future. Meanwhile Lobos, the head of the Morok
museum, has been made aware of the arrival of aliens in a spaceship, he has his
men begin work on tracking down the Tardis and its occupants thinking that they
would make a fine addition to his museum.
There is something very modern about this storyline not only
in the underlying rebellion of a youth in revolt but in the crossing of the
timelines and the idea that everything happens for a reason and one little
thing can change the course of a lifetime. Our heroes are faced with some very
important but seemingly impossible decisions throughout the four separate
adventures that follow.
The Doctor and his companions become separated and are
forced to hide from the Moroks who they now know are looking for them,
meanwhile a young group of Xerons have spotted these new arrivals and see an
opportunity to get some aid in order to free themselves from their oppressors.
The Doctor is the first to be caught and after Lobos has a very unsuccessful
time questioning him he begins the process of preserving him for display, it
begins to look pretty grim for our protagonist.
In the meantime Barbara is found by Dako who locates her
trapped in an exhibition room, she is just about to knock him out when he says
her name and she realises he is a friend. Dako explains that he is going to
take her back to the Xeron base where she will be safe however their escaped is
barred when a cloud of smoke begins to filter into the room, it is a poisonous
gas which the Moroks have filled the museum with in order to smoke our or
paralyse the remaining members of the Doctor’s band. Dako and Barbara make
their way to the exits as best they despite the crippling effects of the gas.
Once out they bump into Vicki and Sita (who Tor sent with Vicki so as he could
help ensure her safety) however they are soon apprehended by the Moroks who now
know that a rebellion is afoot.
Ian is taken prisoner by a Morok who he quickly overpowers
and, having taken his gun, forces to lead him to where the Doctor is being
kept. Ian forces the Moroks to reverse
the preservation process on the Doctor but they are caught again before they can
leave the commanders office. Now that all of our heroes have been captured
again they reflect that despite their best efforts to avoid it, they may end up
in the display cases after all.
This is when William Hartnell’s Doctor shows just how clever
he can be:
VICKI: It hasn’t happened yet, you know.
DOCTOR: Yes, Vicki’s quite right. Quite right.
IAN: It’s only a matter of time, isn’t it, Doctor?
DOCTOR: Well, it’s not necessarily, my boy.
BARBARA: But Doctor, what can we do now to
DOCTOR: My dear Barbara, you must try and remember, the short time we’ve been on this planet, we’ve met people, spoken to them and who knows, we might have even influenced them.
VICKI: That’s what I was trying to say, Doctor.
DOCTOR: Yes, I knew you were, child, yes. Yes, I knew you were.
IAN: You mean we don’t necessarily have to change our own future. It could be changed for us.
DOCTOR: Quite so, yes, quite so, my boy.
VICKI: Like the revolution.
DOCTOR: Yes, Vicki’s quite right. Quite right.
IAN: It’s only a matter of time, isn’t it, Doctor?
DOCTOR: Well, it’s not necessarily, my boy.
BARBARA: But Doctor, what can we do now to
DOCTOR: My dear Barbara, you must try and remember, the short time we’ve been on this planet, we’ve met people, spoken to them and who knows, we might have even influenced them.
VICKI: That’s what I was trying to say, Doctor.
DOCTOR: Yes, I knew you were, child, yes. Yes, I knew you were.
IAN: You mean we don’t necessarily have to change our own future. It could be changed for us.
DOCTOR: Quite so, yes, quite so, my boy.
VICKI: Like the revolution.
Needless to say the Xerons arrive to save the day, Lobos is
killed at Tor’s hand and the Doctor and his companions escape leaving Xeros to
the Xerons who plan to destroy all of the relics of the museum and the Morok
people.
William Hartnell as the first Doctor took a very different
approach to the character in comparison with his successors; he was less of an action
man preferring to use his intelligence and wit to solve problems. He was also much
less silly than some of his later incarnations, he came across as a wise old
man with a slightly grumpy streak however there was still an element of charm
and fun in him as witnessed in this episode. In order to avoid the prying eyes
of the Moroks the Doctor conceals himself within the empty shell of a Dalek
from the museum, you get a peek at the Doctor’s cheeky side when he emerges
from the Dalek chuckling away to himself. Even when captured by the Moroks who
attempt to question him using a lie detector test he imagines Walruses and sea
lions instead of giving away his true identity.
Vicki seems to spend quite a large part of her time with the
Doctor screaming, complaining and being patronised by the Doctor’s other
companions however this episode really sees her come into her own as she
organises a rebellion rallies a troupe of young people together helping to save
her friends from an unhappy fate. Vicki is very pretty and engaging in this
episode.
This episode would have been a lovely introduction to
William Hartnell’s doctor had you never seen another episode with him as it is
very characteristic of his Doctor. The storyline is detailed and multi-faceted
as early Doctor Who episodes so often were but it is not so complex that you
have to be ready to focus your full attention on it. A great way to spend a couple of hours and a definite 4/5.
Thank you for reading! :)
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